I never see a movie without reading the book first.
When I see a preview for a movie whose book I’d meant to have read for a long time, I use the movie as an excuse to speed up my procrastination. The book moves up in my list and I avoid seeing the movie until I’ve had the chance to read the author’s words.
There are several reasons why I do this. One obvious one is that the movies often suck when compared to the original story. This often happens because it’s difficult to fit in every aspect, side stories, the thoughts of the characters, the full range of emotions expressed. The depth of a book is rarely represented in a several-hour movie.
More significantly, I cannot possibly read the book after I’ve seen the movie. Not because I already know the ending but because I cannot use my imagination. One of the most delightful aspects of reading a novel is getting to visualize the characters and the settings. Knowingly or not, I attach a lot of information to the characters in the novels I read. Some of the traits may be mentioned by the author but others aren’t. If a book is written well, by the end of the story, I have a world of information on the characters and they are three-dimensional in my mind’s eye. A movie limits this infinite world and disappoints me often.
I’ve taken my imagination for granted. Until recently, I wouldn’t have considered myself an imaginative person. I’m not particularly creative. I don’t paint, compose or write poetry, and my fiction isn’t that good. I always thought that imagination and creativity were correlated. And that if I lacked one, I must lack the other.
But now I realize that as an avid book reader, I do have extensive imagination.
As with everything, practice tends to strengthen my imagination. And since I read a lot, imagining the characters feels like second nature to me. I never even notice that I use it. I have a friend whose imagination isn’t very active. And talking to him makes me realize how much I use mine. It also makes me wonder how we, as adults, can learn to stretch our imaginative muscles.
Some things come much easier to children and I wish we could capture the overflowing energy and imagination. And hold on to it.
Previously? Priceless.
I’m taking a graphic design class this semester.
I’ve always wished I could be good at the arts. When I was young, my mom sent my sister and me to a weekend drawing course. Every Saturday morning she would drive us over and we’d spend five hours or so staring at a bunch of apples in a bowl. Even though my creations during those five hours surpassed anything I did elsewhere, claiming they were anything besides ‘a decent effort’ would be an outright lie.
My mom is an amazing artist. At nineteen, she won a scholarship to an art school in Italy, which she turned down by choosing to marry my father instead. She’s done jewelry design, Koran art, interior decorating, and plain drawing. Some of those genes could have come my way.
But they didn’t.
I’ve taken classes in art, 2-d animation, 3-d graphics, graphic design, and pottery. Some of them, I took several times. Some of them, I even enjoyed.
But not graphic design.
My graphic design teacher is treating us like real graphic designers. She’s giving us real assignments. Critiquing our work as if she were a client. That’s why she’s a good teacher. So I know it’s not her fault. I’m not even taking the class for credit, and yet I stress before each assignment. I annoy everyone around me, asking for reaffirmation, begging for approval.
This week’s assignment is to create a self-identity. Since I’m not taking the class for credit and since I’ve been thinking it’s time for a redesign, I asked her if I could do my web page instead. She said okay.
I spent yesterday going through the 250 fonts on my machine, trying to pick one that represented me. I didn’t know what I was looking for but I figured I’d find it when I saw it. Not true. When I finally settled on one, it was mostly cause it looked like handwriting, giving me a diary-ish feeling. I started with my typical purple, and went through seventeen color changes before settling on these. I put black and white photos, changed them to color. I put them on the side, on the top, on the bottom. I moved everything around too many times. After hours, everything started blending into each other and I decided it was time to stop.
So here it is. A new page. Some color.
I’m not changing the archives, I’ll integrate it as I go along. I’m not done with this design, it might change. Got opinions? Tell me publicly, tell me privately. Tell me either way.
At least it’s got color.
Previously? Thankful.
I watch every show on TV.
I kid you not. I’ve always been a total TV-addict. As a kid, I couldn’t do my homework unless the TV was on and in college, the first thing I did when I walked into my room was to turn on the TV. It doesn’t really matter what’s playing; I rarely watch it. I just like the background noise it provides. I know most normal people listen to music for background noise, but that distracts me much more than the TV.
With the addition of Tivo into our lives, it’s gotten even easier to watch obscene hours of TV and now, with the shows I choose. I record about five hours of TV a day on week days and two to three hours on weekends. That makes up twenty-nine hours on the recorded stuff alone. Not to mention award shows, one-time movies, etc.
I’ve met many parents who refuse to have a TV at home because they believe it’s bad for their children and that they will become antisocial, etc. I’ve heard everything from TV makes you lazy to it makes you stupid. I would personally like to be the example case for how it doesn’t necessarily do either.
We might be able to debate my level of intelligence but I’m definitely drawing the line on stupid. Or lazy. And it’s not like I watch only the science or educational shows. I watch everything. More trash than education. I don’t assume TV is there for me to learn from. It’s my noise, it’s my way to empty out my brain. Some people need a drink when they have a long day. Others exercise.
I watch TV.
I think we should do a study. Compare the kids who grew up watching TV and the ones who weren’t allowed. I bet we’d find that the kids who grew up without TV become complete zombies when in front of one. Not to mention the scars from the alienation they must have suffered, at school, when their classmates discussed last evening’s episode of a TV show. I want to know whether watching TV truly produces lazy and stupid adults. I want to see numbers. I want to see proof.
Each time I hear of a parent who claims their kids are better of without any TV, I want to remind them that bans are only made to be broken. If you tell a kid she or he can’t do something, suddenly that very thing becomes extremely enticing. I know men who only eat sugar cereal now because they never could as children. Think of all the college freshmen. Think of the alcohol. Can you really tell me that banning works?
As in almost everything, maybe moderation is the answer. I’m not saying my twenty-some hours a week would be considered moderation but then again, I never claimed I was exemplary.
I just like to watch TV.
Previously? The Power of Mundane.
I’m not a good fiction writer.
To be fully honest, I’m not the greatest writer to begin with, but I’m even worse at writing fiction. I’m not telling you this so you can tell me how good I am and stroke my ego. I’m saying it cause I know it to be true and I’m thinking that putting it down on paper might make me stop struggling with it so much.
I started writing fiction about two years ago. It was a whimsical decision, not based on any other event in my life at the time. I signed up to a fiction web page, and even from day one, I could tell didn’t have it in me. I loved the idea of having written but not writing itself. When I read over my stuff afterwards, it sucked so bad that I couldn’t even begin to fix it so I’d leave it as is. I forced half the people in my life to read it and I hid it from the other half.
Here we are over two years later, and in no better shape. I’m struggling through what appears to be tidbits of my second novel, when the first one is far from completed. Its pages are collecting dust in the back of one of my drawers, alongside the research I left undone for it. I wrote the outline for this novel, last fall. The characters are nagging me constantly, making me feel bad for not sitting at the keyboard and telling their story. But each time I sit to write it, words refuse to cooperate. Bleak and two-dimensional characters exchange unemotional words. My descriptions are the opposite of vivid. It becomes so unbearable that I need to stop.
Yet I can’t let it go. I can’t stop writing. Well, in reality, I can’t stop thinking of writing. I can’t let my story go, even if it’s a stupid one, it’s my story. I want to tell it. The characters want me to tell it. In the middle of one story, I start getting ideas for another novel. Yet when I want to write a short story, all the ideas have disappeared. It’s a lose-lose game.
When people tell me that my writing shows promise, I know they are being kind and not entirely truthful. When they criticize it, I feel this awful resentment and sadness in my gut. It’s like someone ripped my heart. Neither extreme is healthy for a writer-wannabe. And I know all this.
Yet I simply cannot let it go.
Previously? Ideal vs. Ought.
I’ve been meaning to write.
Wednesday, I came home and stared at the TV.
Thursday, I fasted all day so I spent half of my day watching TV and the other, sleeping.
Today, it’s 9pm and I just got home from Japanese class and I am worn out, tired and my back is exploding with pain.
So you can see that I’ve accomplished a tremendous amount in the last three days. And since I’ve had absolutely no intellectual input, it’s been hard to produce output.
October is going to be a long month for me. I have applications to fill, essays to write, homework to do, a novel to keep writing, a short story to rewrite and another to write from scratch, GMAT to take, two volunteer jobs to maintain, not to mention my actual paying job. Each time I sit down to make a list, it gets so big that I just turn on the TV and watch it till it’s time to sleep.
Of course, my back’s acting up again doesn’t help matters much.
The good news is that much will change after October. The applications will be finished, the essays and the GMAT will be completed. The novel? Well, the novel will probably still have a long way to go. Come January, things will be even further resolved because I will have received many of the answers.
In the meantime, I need to tear my face away from the TV, try and forget the piercing pain, and do what must be done.
So my writing may suffer in quality (and I will not entertain jokes on how it never had any and all that crap) or it might be intermittent and I apologize in advance. Right now it seems crucial to make sure I can accomplish the goals that will ensure my future and do them well, without affecting my health more. All right, enough cheese. I just got work to do. That’s all.
If anything, this entry should make you happy that I’m not writing more often.
I must stop now, the Tivo is calling my name.
Previously? Pursuit of Happiness.
The New School Drama School has a very popular program called Inside the Actor’s Studio. Yesterday’s show was a rerun with the guest as Kevin Spacey.
During the last ten minutes of the show the audience, students, are given ten minutes to ask the guest questions. One of the students asked Kevin what he recommended the students do as they launch into their acting career. He said something along the lines of “what advice do you have for us for the road while we work to reach the prize.” Okay, so I don’t remember the exact words, but trust me they were something like that. The question doesn’t matter, anyway, the answer does.
Kevin Spacey said, “There is no prize.” He went on to say many more pithy words that I can not recall. But the first sentence stayed with me.
I spent the last decade of my life trying to reach a prize. A collection of prizes. Getting into college in the United States, graduating with two degrees, securing a job, and my green card. I had so many goals and plans that my friends thought it was impossible to reach them all. But I did. I kept thinking that I had no other choice.
I’ve read and repeated many of those “don’t worry about the past or future but concentrate on today” quotes. I know that the past is past and the future is anyone’s guess. But still. I couldn’t stop making plans. Until a year ago, I worried that unless I thought about my future, it would never happen. All I needed to do was keep my eyes on the prize and I was sure to earn it.
And I did. I earned them all. I got to come here, I graduated with honors, I got my green card, I even got to work part time when I decided I wanted more than a job. I found myself, at twenty-six, without a prize to work towards. I had collected all the so-called prizes and there weren’t any more. None that I cared to have, at least.
It took me more than a decade to realize the four little words Kevin used. Life is not about prizes. Each day is a prize. Each smile, each hug, each touch, each sunrise and sunset. I know it sounds cheesy, but it really is true. Don’t get me wrong, I am proud of my accomplishments. I consider my degrees and my green card to be major prizes, but I also recognize that they don’t fulfill you in the way you think they will. A green card doesn’t suddenly make you stop worrying. It only makes you stop worrying about getting a green card. There is no ultimate prize that makes everything perfect.
My friend Eric’s favorite quote was, “Life is what happens to you when you’re busy making plans.” I’m a planner, it’s not possible for me to stop it, but it is possible for me to not create mock prizes. It is possible for me to recognize the value of little daily things. It is possible for me to appreciate the journey. To start paying attention.
And I intend to.
Previously? Safe.
I’ve always favored high Renaissance art over most other periods.
I think there are two reasons for my fascination and awe with that specific period. The first reason is not specific to the artists of that time, but it was strongly exercised. Most of the elements in the paintings of that time either present a story or have objects which represent icons of some idea or belief.
I’m quite sure I’ve mentioned previously how I like that this sort of art rewards its viewer for having done his homework. If you know that a pair of shoes symbolizes marriage the painting containing them takes on a new level of meaning for you. I like that almost every item has a purpose. It somehow implies that the artist’s job was harder since he had to adhere to certain symbols and tell a specific story and the artists relaying the same story found profoundly differing ways to envision the same scenario.
The other reason I love Renaissance art is the preciseness of the strokes. The realness of the imagery. The incredible resemblance of the picture to an actual scene. It is the lack of that very essence that gave me a dissatisfied feeling when I looked at an impressionist painting. The blurry look made me feel like the painting was unfinished. Like the artist cheated and gave us the feeling of being there without having to work hard to create the details. They lacked the meticulousness I enjoyed.
For me, it was as if the fact that you could replicate real world with its minute detail made you a qualified artist. Cause anyone can splash paint onto an empty canvas, but not everyone can draw the curves of a woman’s body or the branches of a tree realistically.
Last week, I went to the Metropolitan Museum and spent a long time looking at the works of some of the most famous impressionist painters. I had never previously seen these works anywhere besides a book. I’d never seen them in their full three-dimensional glory. As I stared at the canvases, I was awed by the dichotomy of the lack of meaning when viewed close-up and the scenery that emerged as I moved back, away from the painting. It seemed that with each stroke, the painter must have always kept the big image in his head and had total control over what the stroke meant for the painting as a whole.
Today I watched one of Jake’s friends paint a scene here in Martha’s Vineyard with watercolors. I marveled at how quickly a picture emerged with each movement of her brush. I was fascinated at how she wasn’t really concerned with each angle being correct and each color matching the world precisely. I loved the idea of letting go of the need to be so tightly coupled with the subject of the painting.
I realized that even my favorite painting style represented something about my personality. That I had enjoyed the methodical, mathematical world of exact replication and symbols over the loose and relaxed. The more I thought about it, the more it felt good to let go. Suddenly, making your own paintings, listening to something from within and combining that with the beauty of nature seemed so much more powerful and rewarding.
Maybe this is how letting go starts: one painting at a time.
Previously? Tradition.
Some things are best done alone.
There is a long list of actions which are more fun with a multiple people. For me, traveling, dancing, going to the movies and dining are some of those.
Then I have the ones that I often do alone but enjoy much more in couples. Like bathing and sleeping.
Finally, I have a whole set that I prefer to do alone. Reading, writing my book, and watching people make that list.
So does going to the museum.
After I left the hairdresser, I decided I had to finally see the Blake exhibit at the Met. My hairdresser is six blocks from the Met and it was a lovely day so I started strolling along Fifth Avenue. The Blake exhibit had just closed but thanks to a recent post in photographica, I knew my first stop would be the roof garden, displaying the works of Shapiro.
Up until recently I didn’t know much about African art and hadn’t had any exposure to it. Last fall, in my art class, our teacher talked so much about tribal arts that I became completely fascinated with these works. I love the incredible level of detail given to each piece. These works are symbolic and most were used as part of a performance. They represented so much of the culture and belief system that we can deduce a lot about their priorities through these. I can sit in the room and stare at these carvings for hours at a time.
I believe that enjoying a piece of art is an experience best lived individually. Each person gets something different from being in a museum, especially one as large as the Metropolitan. There are pieces that I just walk by and ones that make me want to sit and stare for literally hours at a time. When I’m with someone else, I feel pressure to enjoy each piece equally. I worry about my friend being bored or feeling rushed. It’s one thing to visit a small showing of a few paintings, though I would still probably prefer to go to it on my own, and a completely different one to visit a large museum with some of the world’s most awe-inspiring works of art.
Today I felt really glad to live in New York City. Glad that I could just walk a few blocks and take however long I wanted to look at the brushstrokes of Seurat. I didn’t have to rush it into a weekend and drag my friends along.
I had the luxury of enjoying it on my own.
Previously? Movies.
This was an imaginary compilation that I was assembling in my head; all my happiest and proudest moments, cut together into a five-minute edited greatest hits of my life.
“What would you have in your lifetime highlights video, Neal?” I asked him.
He thought for a while and said nervously “Getting a B in my geography O’ level.”
He looked hurt when I burst out laughing.
“Oh come on…” I said, “You’ve got to do better than that. You can’t have that on your tombstone – Here lies Neil Evans. He got a B in his geography O’ level. What have you done that you really loved and will always remember? What are you really proud of?” – John O’Farrell, Walking into the Wind.
Reading the above dialogue made me think of what would be in my five-minute movie.
Happiest moments are easy: getting into Carnegie Mellon, getting my green card, most of my days with Jake, and my sister’s giving birth to my twin nephews.
Most of my happiest moments revolve around school, reaching a goal I’d been striving for for a long time, and my family.
The proudest, however, are a bit more complicated. I’m proud of my family and their accomplishments, most importantly their incredible capacity for love. But this movie is supposed to be about my proud moments. So I’m not sure their achievements qualify.
My first proud moment would probably be the same as a happy one. Getting into a college in United States, especially one that has a good reputation for computer science, was a huge accomplishment for someone with my grades and it was something I’d been dreaming about since I was twelve.
During college, I’ve done a few things I’m proud of, but one of my most taxing moments was when a male friend of one of my residents (I was a Resident Assistant on two floors of an all-girl section of one of the dormitories) was depressed. Suicidal is probably more accurate. I didn’t really know this boy all that well but he’d been on my floor before and I spent most of the evening talking to him and I stayed in that room and listened to him for hours. While I’m totally aware that it most likely has nothing to do with my actions or words, seeing that boy around a few days later and having him hug me made me feel proud of myself. That would probably make it to my video.
So would graduation. I am the first member of my family to graduate from college. My mom dropped out of high school and my dad out of college. My sister didn’t even attempt at college. So graduating and getting my undergraduate and graduate degrees simultaneously was a very proud moment for my family and me.
Most recently, I am proud of the fact that I didn’t let New York and the investment banking life get to me. That I had the balls to give up a lot of money and reduce my work to part-time so that I could do more volunteer work.
I have a long way to go. I want my life to be full of happy and proud moments. I want to look back and say that I had a great life and I did everything I wanted to do. I want to make sure I had the guts to live it to its fullest.
What would go on your five-minute film?
Previously? Intelligent.
I’ve always enjoyed classical music and I love the opera. But I never really liked the ballet.
It always seemed boring to me. I do appreciate the strict regimen required to develop the level of flexibility and strength. I also love that it is a sport and an art. I’m not trying to put its value or importance down by any means.
I’m just saying that I don’t enjoy it.
Let’s change that to didn’t.
Over ten years ago, my parents convinced me to go out on a school night (yes, I know how convoluted that sounds, but things worked slightly differently in my household.) I complained that I didn’t like ballet and I had an exam the next morning, was it really a good idea for me to see this?
“Trust me,” said my mom, “you’ll like it.”
So I went and it was one of the most amazing nights of my life.
This wasn’t just any ballet, it was the Bolshoi.
I was so mesmerized by the performance that I’m sure I forgot to breathe at times.
Maybe ballet didn’t have to be so boring after all.
A few years later, yet another legend visited Turkey and this time my mom didn’t need to mention it twice. If Baryshnikov wanted to come to Istanbul, there wasn’t a way I was missing it. I watched him from the sixth row and I didn’t dare blink.
So when my friend Natalia called me to say that he was performing in Brooklyn, I leapt at the chance of being swept away in his magic once more.
Last night’s performance was quite different than the one I’d seen around a decade ago. Baryshnikov and his dance group, the White Oak Dance Project, were honoring the Judson Dance Theater dancers. The performance was much more modern than I anticipated but it certainly didn’t disappoint me.
On the contrary, it overwhelmed me. I watched hungrily, eating up the energy and creativity that poured out of these incredibly talented people. I envied their freedom and joy.
Most of all, I envied their boldness. These people are some of the best ballet dancers in the world, yet they don’t perform Swan Lake and other classical acts. They express themselves in their own original ways. There are acts where people are simply walking from one end of the stage to another, not even using their dance skills. They’re urging you to think out of the box and change your preconceived notions. Your expectations.
I have the utmost respect for them. Not only because of their talent and vigor.
But because they dare to be different.
Previously? Strangers.
I’m not a perfectionist. Doing the number of things I do each week, it’d be impossible for me to be anything less than miserable if I were.
For the longest time, I’d feel shitty about not being able to speak more than two languages fluently. It might sound stupid to someone who doesn’t speak any foreign languages, but I grew up bilingual, mostly. My parents have always spoken French and Turkish to me. I’ve studied many languages. By the time I came to the United States, I had studied German, English and Italian in some form or another. I’ve never officially studied French, though, and after I came here, each time I brought up the subject of taking Italian, my dad would say that I should first learn French. He figured if I couldn’t speak it perfectly, it doesn’t count. For the longest time, I agreed with him. Even though I’d already started learning sign language, I felt frustrated and didn’t know which language to concentrate on first.
And then I went to Japan. I started learning Japanese and I loved it. I also decided it was better to speak seven languages half-assed than to speak three perfectly. So now, I study a language for as long as it’s fun and I don’t worry about how well or, not well, I speak it. I’ll take more French classes when I’m good and ready, dammit!
Talking to my friend, Cheryl, tonight, I realized that I categorize the things I do into two categories: ones where I am a perfectionist and ones where I’m not.
I’m a perfectionist at my job. I try to give it one thousand percent. I figure since it’s my main field, I should be the best at it that I can be.
I’m a perfectionist with my relationships. With my family and Jake and even my friends, I try really hard and beat myself up when things go wrong.
I’m a perfectionist with school. I work hard and attend all my classes. I spend umpteen hours studying to get a good grade. But mostly to learn.
But there’s a long list of things where I don’t feel the need to be a perfectionist. I feel it’s okay for me not to be flawless with the saxophone, even though my teacher would claim otherwise. Actually, I don’t feel the need to be perfect at most arts, like design, drawing, and architecture.
Okay, maybe not that long.
About two years ago, I decided to take up writing. And I’ve struggled since day one. I continuously thought that I sucked and the act gave me about equal amounts of grief and pleasure. I kept agonizing. I kept stopping and restarting.
Tonight I realized why.
Being an okay writer isn’t fine with me. I want perfection.
And, unfortunately, there’s no shortcut to perfection.
Previously? Introvert.
My friends, Natalia and Akshat, and I went to the opera tonight.
Natalia goes to the opera pretty much every other week and this was Akshat’s first time. While I’m nowhere near Natalia’s extreme, I’ve seen quite a few operas. As we sat in at the Metropolitan, Akshat asked about the average age of operagoers.
In my experience, the average age of opera viewers is in the forties. We tried to delve into the reasons of the lack of interest in younger people and we came up with some theories. The first issue that sprang to my mind is the cost. Good seats at the Met can go upwards of 150dollars. Natalia, rightfully, noted that our seats were a mere 25 dollars. Which might not sound high compared to the 150dollar Orchestra tickets, but 25 bucks is still quite a lot of money for some people.
Even if the opera were free, I still don’t think it would be popular among teenagers. I’m not exactly sure why. I can think of a few possibilities, but nothing that I can put eloquently enough to say (as opposed to my regular level of eloquence here). If we were to start stereotyping enough to say teenagers don’t like opera, we could also say the same thing about men. Most shots of men at the opera imagine the wife crying and the husband trying not to snore too loudly.
Obviously those are just stereotypes. But even stereotypes exist for a reason.
Almost every single opera has a ridiculously tragic and predictable plot. Here’s a run down of tonight’s plot: Gypsy puts a spell on man who has her killed because of it. Gypsy’s daughter wants revenge and grabs one of the sons of the man to burn him at the fire the gypsy was burned at. The daughter makes a mistake and burns her own son and so she keeps the other one and brings him up as if he were her own. The man has another son who grows up thinking his brother is dead. The other son is in love with this woman who, of course, falls in love with the brother. The man finds out about the woman loving the brother and after a lot of hoopla, the woman they were in love with drinks poison to sacrifice herself. So the son kills the brother and then the gypsy’s daughter tells him that the man he just killed was his brother. Tragedies galore. (the met’s synopsis in case mine left you extremely confused.)
So I can’t imagine anyone watches an opera for the enticing story, and from the seats we had the set is almost invisible. People look no bigger than ants. The only thing left is the music.
I’m not sure why others love or hate the opera, all I know is that I love it. I always have. The music pierces through my soul. I apologize if it sounds cheesy, but it really does. I feel totally engulfed and overwhelmed by it.
To me, opera is magic.
Previously? Motivations.
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projects for twenty twenty-four
projects for twenty twenty-three
projects for twenty twenty-two
projects for twenty twenty-one
projects for twenty nineteen
projects for twenty eighteen
projects from twenty seventeen
monthly projects from previous years
some of my previous projects
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