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Raise High The Roof Beam, Carpenters, and Seymour: An Introduction



If or when I do start going to an analyst, I hope to God he has the foresight to let a dermatologist sit in on the consultation. A hand specialist. I have scars on my hands from touching certain people. Once, in the park, when Franny was still in the carriage, I put my hand on the downy pate of her head and left it there too long. Another time, at Loew's Seventy-second Street, with Zooey during a spooky movie. He was about six or seven, and he went under the seat to avoid watching a scary scene. I put my hand on his head. Certain heads, certain colors and textures of human hair leave permanent marks on me. Other things, too. Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her. I still have a lemon-yellow mark on the palm of my right hand. Oh, God, if I'm anything by a clinical name, I'm a kind of paranoiac in reverse, I suspect people of plotting to make me happy.


If you've ever read Catcher in the Rye and enjoyed it, I recommend you read his other novels. Especially Franny and Zooey.



Since he's one of my favorite authors, it's only fair that I have an excerpt from a J.D. Salinger book. The one below is from Raise High The Roof Beam, Carpenters, and Seymour: An Introduction. The part below is from the first story.

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